The world will be like a grave yard with the absence of music, most importantly the traditional music and the international music.
But I believe no matter what type of music one sang. The singer of the music decide what to sing and it greatly depends upon mood, time, level and age. As children, we are taught songs by our parents and teachers as a means of learning language, or simply as a form of enjoyment. Music is something that accompanies all of us throughout our lives. Music is a vital part of all human cultures for a range of reasons. It is true that a rich variety of musical styles can be found around the world.
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Later, when I have enough time and money, I will go for playback singing,” Tanishk signs off.Ok Jaanu is the Songs Lyrics applications that is suitable in your phone and it's easy to use and free for you. Singing is a different ballgame altogether and I don’t want to turn my focus from being a solo composer for films. As for playback singing, he says that he’s not too confident. “I want to start pitching for entire soundtracks including background scores,” he says.Īpart from cinema, he plans to work on non-film singles featuring street musicians and folk melodies. Tanishk also has a couple of movies of Karan Johar’s production house this year. I’ve collaborated with guest composers DJ Chetas and Pritam’s Jam8 on two songs because I wanted a new kind of production for those,” he says. “I’ve composed all the songs and designed a colourful soundscape based on Gujarat. Though Tanishk has worked with multiple composers on films, he now looks forward to Ayush Sharma’s launchpad Loveratri, which will be his first full-length album. because his melodies have always haunted him. One composer whose tunes Tanishk would like to remake is Madan Mohan of Woh Kaun Thi? (1964), Mera Saaya (1966) etc. Reinterpreting the legendary Ustad Nusrat’s song ( Rashke Qamar) for the first time didn’t make him nervous as he had worked on AR Rahman’s Humma (OK Jaanu) earlier. “I want older melodies to come back and feel like I’ve achieved something when I hear Rashke Qamar, Humma, Gazab Ka Hai Din (Dil Juunglee) or Tamma Tamma playing at clubs as new songs,” he smiles. The musician says that instead of just remixing, he rearranges songs, uses live instruments and dubs them all over again. A big fan of Amit Trivedi, he is thrilled to share the credits with the Dev.D composer. They gave me references of the two songs because they wanted something similar to Rashke Qamar in a more uptempo style.” So, he composed an entire melody while using the hook for the numbers. But I was tied up with other work, so I decided to do only a couple of tracks. He says, “I was approached to do the entire score of the movie. “I’m a softie at heart,” he laughs, “But, producers approach me for dance numbers because that’s what pulls a movie.” The music director talks about his just-released film Raid, why he wants to graduate from multi-composer projects to being the solo composer and upcoming works.Īfter Mere Rashke Qamar (Baadshaho), Tanishk has reinterpreted Ustad Nusrat Fateh Ali Khan’s compositions Saanu Ek Pal and Nit Khair Mangaa for Raid. I try to get the essence of the original song and do what’s minimally required.” He also prefers making soulful and romantic melodies. I don’t spoil a number by forcefully making it a club song. The composer clarifies, “I don’t remix but recreate a song. After all, he has has to his credit hits like The Humma Song (OK Jaanu), Tamma Tamma (Badrinath Ki Dulhania), Hawa Hawai 2.0 (Tumhari Sulu), and many more. If Bollywood remixes are the order of the day, Tanishk Bagchi’s name figures prominently.
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